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Installation view from Fresh Paint, Tel Aviv, Israel, 2019

Photos from Museu Guido Viaro, Curitiba, Brazil

Mr/Mrs K was solo performance, installation, and looping sound work created between 2018–2019. The project draws on the Jewish myth of the golem—an artificial being brought to life from clay—and its symbolic link to creation, memory, and resurrection. Within Dan Allon’s ongoing series Ghost and Golem, the “ghost” represents absence and memory, while the “golem” represents the human urge to reanimate the past.

The work continues Allon’s exploration of family history, migration, and storytelling. While earlier chapters focused on his grandparents’ lives in Europe, this iteration investigates two relatives who escaped the Holocaust and settled in São Paulo. Blending archival research with fiction, Allon imagines one uncle as Mr./Mrs. K, a queer artist in 1960s–70s São Paulo who sends idealized drawings of their life to family in Israel. Through performance and drawing, Allon transforms fragmented history into a poetic act of remembrance and reinvention.

Exhibited at:
Sabra Festival, Brazil x Israel: Museu Guido Viaro, Curitiba, Brazil. Curator: Marina Ramos
The group exhibition Fronteiras Indigestas, Contemporão Project Space, São Paulo, Brazil. Curator: Yiftah Peled.
Photos: Guilherme Negrão.
Fresh Paint, Expo Tel Aviv, Israel. Curator: Raz Shapira Fainburg.
Photos: Dor Kedmi and Lilach Raz.
The group exhibition Displacement at Musrara Mix Festival, Jerusalem, Israel. Curator: Sharon Horodi.

 

Special thanks to:
Eduardo Cardoso Amato, Sabra Festival, Museu Guido Viaro, Tal Alperstein, Tal Rosen, Elaine Peled, Maira Vaz Valente

Thanks to: Mariana Zanetti

The Jewish Museum of São Paulo (Museu Judaico) and the team of the Centro de Memória do Museu Judaico (Pinheiros)

Alexander Bronner.jpg

Alexnder Bronner

Hermann Schein.jpg

Hermann Schein

Ariel Shilo.jpg

Ariel Shilo

Ghost & Golem (3).jpg

My Grandmother Fucked Franco (2018) was a solo exhibition by Dan Allon at B#S Gallery, Treviso, expanding Chapter I of Ghost & Golem. Unlike the Berlin version—a single-night performance—this iteration unfolded over three days, each centered on a different imaginary family member's character. Ariel Shilo created a layered wall drawing; archivist Hermann Schein offered conflicting interpretations; and archive guard Alexander Bronner obstructed viewers. Through humor and contradiction, Allon constructs a fragmented archive where performance blurs fact, fiction, and authority.

Curators: Revital Michali, Chiara Isadora Artico

Files: 

Ariel Shilo's bio - press here

Hermann Scehin's story about Bianca Gallenter - press here 

Hermann Schein's bio - press here

Herman Schein's contract -press here

Alexander Bronner's bio - press here

Thanks to: Gallery photographer (David), Kurnia Rahmawati, 

Photos: Mattia Carrer, Kurnia Rahmawati, Eva Folegotto

Special thanks: Mariana Zanetti 

 

The Guard V. The Archivist –was a 6-hour solo performance, Hilbert Raum Gallery, Berlin

In this early chapter of Ghost & Golem (2017), Dan Allon performs a guard-archivist who follows a strict daily ritual inside the exhibition. Each morning he hangs his jacket, inspects the space, and carefully adjusts objects, including a world map and a mysterious Dybbuk box. As he moves through the archive, familiar stories begin to shift—blending historical fragments with personal memories. When visitors arrive, he answers questions calmly while enforcing the rules of the archive. Through subtle interactions, the performance blurs fact and fiction, authority and uncertainty, suggesting that the deeper meaning of the archive often emerges only after the visitor has left.

Curator: Revital Michali

Thanks:

Sound Development City team, with special thanks to Martin Heller, Duscha Kistler and Andalus, and Sound Development team, for their great contribution to the birth of the project. 
Special thanks: Daniel Wiesenfeld, Mariana Zanetti, Duscha Kistler and the curatorial crew of SDC, Laurence Marien and the crew of Het Entrepot
Photos: Adi Levy
Assistant: Caroline Chaves 

 

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