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Café da Manhã, studio album, 2020 | Shani Broner & Dan Allon (Satla Land) 

Credits

Dan Allon - Drums and Percussion
Shani Broner - Keyboards, guitars, bass, glockenspiel, vocals, percussion, mix and master
Mariana and Leo Zanetti - "discussion" in Farofa

Edited, mixed and mastered in Israel, 2018-2020.

 

May also be heard and purchased for support here

May also be heard here 

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A radio drama album released in 2014, comprised of three original stories: 

FIRE OF TWILIGHT, RADIO DRAMA, 2010 | Shani Broner & Dan Allon (Satla Land) 

Production & concept: Shani Broner & Dan Allon 
Guitar, bass guitar, synthesizer & piano: Shani Broner 
Bass guitar: Shimi Haviv 
Drums: Dan Allon
Strings: Tehila Machedo & Arza Rost 
Text: Dan Allon
mixing & Mastering: Shani Broner & Shimi Haviv 
Vocal: Alex Ansky

WOMEN IN BLACK COOKING MEATBALLS, RADIO DRAMA, 2011 | Shani Broner & Dan Allon (Satla Land) 

 

When Dalia turns 18, she has a fight with her mother about her unwillingness to throw a birthday party. When her mom organizes one anyway, Dalia goes on the roof to create a commotion. 

Story: Dan Allon
Original Music: Dan Allon & Shani Broner 
Narration: Alex Ansky 

 

Special broadcast: PRESS HERE
BAND CAMP: PRESS HERE

CECIL'S LAST CHANCE - RADIO DRAMA, 2012 | Shani Broner & Dan Allon (Satla Land) 

 

Cecil, a young lab technician working for a local hospital, suffers from a chronic skin disease which he was infected in as a child.  He is lonely, a true outcast. When he discovers by accident that his illness can be cured by the urine of a specific old patient, he faces a moral dilemma: Is it acceptable to be cured by a daily replacement of her urine? Is it OK to have a normal life again, on the expanding of the old woman? 

 

Story: Dan Allon
Original Music: Dan Allon & Shani Broner 
Narration: Alex Ansky

Album design: Avisar Goldman 

 

Special broadcast: PRESS HERE
BAND CAMP: PRESS HERE

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The F2's - an EP by Satla Land

 

Tracks: 

Yossi Pinhead 
Arie Leib 

Sa'eed
The Anglosaxy 
Meytal The Whore

Listen here.

 

The title "The F2's" is originated from the communication net frequency F2, which was used by the local police of Broner and Allon's hometown to report an arrest of a loitering homeless person. The names of the tracks are called after some of the homless people that were collected by the police. 

 

Credits: 

Production and concept: Shani Broner & Dan Allon
Piano and synth: Shani Broner
Drums: Dan Allon 
Mixing and mastering: Shani Broner 
Designed by Dan Allon
2016

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